Get yours quick, before they're all stuffed into turkeys!



On 11/7/09, jeffsengpiehl <jeffsengpiehl@...> wrote:
> Fine best of the pick Chickens for sale for sacrificial usage.  No delivery,
> Pick up only
>
>
>
>
>
> ------------------------------------
>
> Search the offical complete Avid-L archives at:
> http://archives.bengrosser.com/avid/
>
> Everything you MUST know about Color Correction in one book:
> http://tinyurl.com/ColorCorectionforvideo   Get your copy todayYahoo! Groups
> Links
>
>
>
>


--
---
Rob Lawson
System Administrator, ACSR ISIS, Windows & Unity
CBS News

IT/Video Technician Specialist - Euro RSCG Edge

Reply to: port.jobs@...

Euro RSCG Edge located in Century Park East is currently seeking a IT/Video
Technician Specialist. All applicants to the below position must be open to the
option of working as a freelance employee for the first 90 days of service.

SUMMARY:
The IT Specialist is responsible for providing support for desktop and phone
systems for a 30 person office (40%), video equipment support (40%) and
server/network equipment support (20%). This position reports to IT Manager and
works closely with Post-Production Supervisor.
Essential Duties and Responsibilities include the following. Other duties may be
assigned.

• Desktop support
o Answer, respond to and document requests for technical assistance.
o Provide high quality support through courteous, prompt and accurate
communication.
o Troubleshoot and resolve Windows and Macintosh hardware and software issues,
including Lotus Notes issues.
o Troubleshoot LAN connectivity issues.
o Setup and deploy computer equipment for new employees including VOIP
telephones.
• Video support
o Troubleshoot and fix issues on existing video editing systems.
o Assemble new equipment and make recommendations/estimates on any needed
equipment.
o Build and maintain the editorial equipment used in the post-production
process, including EditShare Media Server.
o Connect video decks, monitors and drives in edit bays and troubleshoot
technical issues as needed.
• Network/server support
o Provide support for general network connectivity with users.
o Work with network connectivity vendors to troubleshoot local issues as
required.
o Maintain change logs.
o Provide timely deployment and troubleshooting of hardware (e.g. fileserver,
Editshare, etc).

Qualifications (Knowledge, Skills, and Abilities):

• Strong knowledge of Windows and Macintosh desktop hardware, operating systems,
and popular software packages.
• Knowledge of video editing equipment, software and decks.
• Must have proven experience troubleshooting and supporting LAN issues.
• Excellent written and verbal communications skills and capacity to creatively
solve problems are essential.
• Positive, enthusiastic attitude is critical.

Preferred Skills/Qualifications
• EditShare Knowledge
• Lotus Notes client
• Cisco VOIP phones
• AVID and Final Cut Non-Linear Editing system knowledge/experience

Education/Experience:
BS or BA in Computer Science and at least 2 years experience working in a
corporate environment or 3 – 5 years of equivalent education and experience.

Interested and qualified candidates are encouraged to apply by submitting their
resume as an attachment with "Chris W - IT Specialist" noted in the subject line
of the reply.

Euro RSCG Edge is an Equal Opportunity Employer.

www.eurorscgedge.com
www.eurorscg.com

--- In Avid-L2@yahoogroups.com, "Mark Myers" <MarkM@...> wrote:


<<I can digital cut to DVCam from the 23.975 project, but I get no sound. How
much pain would I be in for to go down the track of solving the sound issue,
rather than re-cutting the entire sequence in 30i?  Just thinking....>>

      You can do that but you will get stuttery video. If it's not too bad, just
recapture it in a 30 frame project and add the sound that you exported as AIFF
from your 23.98. Then you can rebuild or replace any shots that are too
objectionable in the 30 frame project.

haha! And don't forget to open your window and throw your Mojo down to
the street while chanting
   "I'm sick and tired of overpriced i/o hardware and I'm not going to
take it anymore!"
owen


On Nov 7, 2009, at 2:37 AM, Terence Curren wrote:

> Also, don't forget to:
>
> Draw a pentagram in the dirt by hand.
>
> Under the light of the moon, sacrifice a live chicken.
>
> Rotate counter clockwise three times while chanting "kcus nac
> ygolonhcet" a being ever so careful not to STEP OUTSIDE the pentagram.
>
> And maybe it will work...
>
> --- In Avid-L2@yahoogroups.com, Dave Hogan <mactvman@...> wrote:
> >
> > A few suggestions to tame the beast that is EDL Manager:
> >
> > 1) Turn off Optimize EDL.
> >
> > 2) Turn on "Show Dissolves as Cuts" "Show Audio Dissolves as Cuts"
> and "Show Wipes as Cuts"
> >
> >
> > 3) Promote motion effects to timewarps, or remove them all together.
> >
> > 4) Instead of clicking on the arrow buttons in the EDL window, use
> the menu commands for "Get Current Sequence" (command-G or ctrl-G)
> and "Create Composer Sequence" (Command-M or ctrl-M).
> >
> > 5) Re-name reels to 8 characters or less before you create EDL,
> and use CMX3600 as your EDL format, because it allows up to 8
> character alphanumeric reel names, and many tracks of audio.
> >
> > 6) Check that you have valid TC in the Source TC format you have
> chosen, and it matches the frame rate of the Rec TC in the EDL
> Manager window.
> >
> > Another gotcha is that when people upgrade the Editor (Media
> Composer, Symphony) they often forget to upgrade the version of EDL
> Manager. Re-Install EDL Manager from the same version diskor
> download as your edit software.
> >
> > Each of the above has caused EDL manager to crash on me at one
> time or another, on various versions of the software. I don't
> suggest doing all of them at once, just try each to see if EDL
> Manager stops crashing.
> >
> > Hope this helps,
> >
> > Dave Hogan
> > Burbank, CA
> >
> >
> >
> >
> > ________________________________
> > From: Mark Myers <MarkM@...>
> > To: Avid-L2@yahoogroups.com
> > Sent: Fri, November 6, 2009 7:18:36 PM
> > Subject: Re: [Avid-L2] Re: Urgent - 23.97 to 30I More
> >
> >
> > Can't get an EDL exported. I keep getting errors in the EDL manager.
> >
> > On 11/6/09 7:47 PM, Terence Curren wrote:
> > >
> > > I'm confused, was your original source 23.98 on a 29.97 frame
> tape? If
> > > so, and you followed the proper cadence, then you actually have a
> > > proper 23.98 master. If you have access to a Symphony you can
> output
> > > it as a 30 frame conversion without any problems.
> > >
> > > If your sources were not 23.98, how come you didn't notice them
> being
> > > herky jerky in the movement?
> > >
> > > Next option is to go the EDL route. You will lose effects, titles,
> > > etc. But all of your shots will be there and motion effects and
> > > dissolves should be there for the most part. I have to admit, I've
> > > never gone in the 23.98 to 30 direction via edl before. Just
> follow
> > > Michael Philips' directions in reverse.
> > >
> > > http://24p.com/ 30_24.htm <http://24p.com/ 30_24.htm>
> > >
> > > --- In Avid-L2@yahoogroups .com <mailto:Avid-
> L2%40yahoogroups .com>,
> > > Mark Myers <MarkM@> wrote:
> > > >
> > > > This project also has significant amounts of Avid pan&scan work.
> > > > Am I hosed and looking at an all weekend, all night re-edit,
> or is
> > > there
> > > > some way to save my dumb ass?
> > > >
> > > > I need to get this out to 30I DVCam for air at a local
> station, and
> > > it's
> > > > a 60 program.
> > > >
> > > > Thanks
> > > > Mark
> > > >
> > > > On 11/6/09 7:07 PM, Mark Myers wrote:
> > > > >
> > > > >
> > > > > Need some help fixing a stupid mistake. Should have realized
> what was
> > > > > going on when I couldn't get a DV signal out of the avid.
> > > > >
> > > > > Shot major project in DVCam, 30i. Just discovered that like an
> > > idiot, I
> > > > > created a 23.97P project and did the edit.
> > > > >
> > > > > Anyone know of a good way to convert? I really don't want to
> reedit
> > > > > visually. I can probably get an edl over through the edl
> manager,
> > > but how
> > > > > accurate will this be?
> > > > >
> > > > > Thanks in advance for helping with my stupidity.
> > > > >
> > > > > Mark
> > > > >
> > > > > --
> > > > >
> > > > > S.R. Productions
> > > > > 195 W Broad St
> > > > > Salunga PA 17538
> > > > > 717-393-5504 / Cell 717-203-0976
> > > > >
> > > > >
> > > >
> > > > --
> > > > Owner/Director
> > > > S.R. Film & Video
> > > > 195 W Broad St
> > > > Salunga PA 17538
> > > >
> > > >
> > > > Cinematography, Still Photography, Copy Writing,
> > > > Post Production, Web Hosting & Design
> > > >
> > > > Office: 717-393-5504 ex 142
> > > > Cell: 717-203-0976
> > > > Fax: 717-393-1833
> > > >
> > > > www.SR-Pro.com <http://www.sr- pro.com/ <http://www.sr-
> pro.com/>>
> > > >
> > > >
> > > >
> > > >
> > > > [Non-text portions of this message have been removed]
> > > >
> > >
> > >
> >
> > --
> > Owner/Director
> > S.R. Film & Video
> > 195 W Broad St
> > Salunga PA 17538
> >
> > Cinematography, Still Photography, Copy Writing,
> > Post Production, Web Hosting & Design
> >
> > Office: 717-393-5504 ex 142
> > Cell: 717-203-0976
> > Fax: 717-393-1833
> >
> > www.SR-Pro.com <http://www.sr- pro.com/>
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
> >
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
>
>



[Non-text portions of this message have been removed]

Fine best of the pick Chickens for sale for sacrificial usage.  No delivery,
Pick up only

Looking for an Experienced Avid Assistant
Must have at Least 2 years experience working at Post Facility that specializes
in commercials.
Must be tech savy. Must know Avid Media composer inside out to perform rough
edits.
Must be familiar with Digibeta Deck and Advertising agency workflow and
expectations.
Beauty Experience a plus

mail to: job-bqcwc-1454948257@...

Stand by Terry -

If this works, I have a local friend on MC4.0 who owes me some favors -
AND who works out of their home, so she only has to run down the steps to
the basement rather than drive anywhere. I'll try her first before I ask
you to make a special trip.

Thanks again!!
Mark




>
>
> Ah, that would help A LOT.  That would take me down to just re-digitizing
> and re-rendering, rather than having to re create all the Pan and Zoom
> effects.
>
> I'm not on 4.0 yet - my box is too old, and I'm trying to limp it along
> until I can get a new Mac.  I'll shoot the sequence over off list.
>
> I REALLY appreciate this help. Might actually make it possible for me to
> sleep this weekend.  Program is to premier Monday night at a big wig party
> - and I'm already booked with other work on Monday.
>
> Mark
>
>
>
>> Mark,
>>
>>      I do have one more suggestion since there are so many Pan and Zoom
>> effects. Do you have access to a copy of 4.0? If so, you can convert
>> the sequence from 23.98 to 29.97. All the clips won't change frame
>> rates, so you would still want to use the EDL route for them.
>>
>>      Now cut the EDLed clip timeline on an upper track of your converted
>> timeline. Drag the 30 frame clips down to replace their counterparts
>> on the converted timeline. The effects should all translate which
>> will save all of your titles, P&Z and other effects.
>>
>>      If you don't have access to 4.0, send me the sequence and I can go
>> in
>> and convert it for you. Or maybe someone else on the list is already
>> at work with a 4.0 system and can help you faster.
>>
>> Terry
>>
>>
>
>
> --
>
> S.R. Productions
> 195 W Broad St
> Salunga PA 17538
> 717-393-5504 / Cell 717-203-0976
>


--

S.R. Productions
195 W Broad St
Salunga PA 17538
717-393-5504 / Cell 717-203-0976

Ah, that would help A LOT.  That would take me down to just re-digitizing
and re-rendering, rather than having to re create all the Pan and Zoom
effects.

I'm not on 4.0 yet - my box is too old, and I'm trying to limp it along
until I can get a new Mac.  I'll shoot the sequence over off list.

I REALLY appreciate this help. Might actually make it possible for me to
sleep this weekend.  Program is to premier Monday night at a big wig party
- and I'm already booked with other work on Monday.

Mark



> Mark,
>
>      I do have one more suggestion since there are so many Pan and Zoom
> effects. Do you have access to a copy of 4.0? If so, you can convert
> the sequence from 23.98 to 29.97. All the clips won't change frame
> rates, so you would still want to use the EDL route for them.
>
>      Now cut the EDLed clip timeline on an upper track of your converted
> timeline. Drag the 30 frame clips down to replace their counterparts
> on the converted timeline. The effects should all translate which
> will save all of your titles, P&Z and other effects.
>
>      If you don't have access to 4.0, send me the sequence and I can go in
> and convert it for you. Or maybe someone else on the list is already
> at work with a 4.0 system and can help you faster.
>
> Terry
>
>


--

S.R. Productions
195 W Broad St
Salunga PA 17538
717-393-5504 / Cell 717-203-0976

Just out of curiosity -

I can digital cut to DVCam from the 23.975 project, but I get no sound.
How much pain would I be in for to go down the track of solving the sound
issue, rather than re-cutting the entire sequence in 30i?  Just
thinking....

Mark




>
>
> --- In Avid-L2@yahoogroups.com, Mark Myers <MarkM@...> wrote:
>
>
> << Can't get an EDL exported. I keep getting errors in the EDL manager.>>
>
>  What kind of errors? What version of EDL manager?
>
>


--

S.R. Productions
195 W Broad St
Salunga PA 17538
717-393-5504 / Cell 717-203-0976

Mark,

      I do have one more suggestion since there are so many Pan and Zoom effects.
Do you have access to a copy of 4.0? If so, you can convert the sequence from
23.98 to 29.97. All the clips won't change frame rates, so you would still want
to use the EDL route for them.

      Now cut the EDLed clip timeline on an upper track of your converted
timeline. Drag the 30 frame clips down to replace their counterparts on the
converted timeline. The effects should all translate which will save all of your
titles, P&Z and other effects.

      If you don't have access to 4.0, send me the sequence and I can go in and
convert it for you. Or maybe someone else on the list is already at work with a
4.0 system and can help you faster.

Terry

--- In Avid-L2@yahoogroups.com, Dave Hogan <mactvman@...> wrote:


<<I have also often heard comments off line about how people don't want to
participate in querries or discussions on this list because some in the group
are so quick to criticize or make personal attacks.>>


Dave,

      How long have you known me again? At least 10 to 15 years. And you still
don't get my sense of humor? This was not a personal anything against you Dave.
It was a venting of the frustration I've accumulated over the years working with
the EDL manager as an archaic workaround to something that FCP can handle
without a problem.

      I agree there are a lot of off topic discussions here, but that has always
been the beauty of the L. Think of it like an Editors' Lounge. But of folks who
have a lot o common interests and experiences who enjoy sharing them.

      If you want straight talk of nothing but Avid and Avid vs. FCP then I
suggest you check out the community forums on the Avid site itself. (Though I
still get an occasional shot in there also).

Dave,

I have always enjoyed the sense of humour and wide ranging topics from
Terry and other members of the L2. There are other forums on Avid
related topics which are rather tightly wound. Some of which do have
so-called policies on who gets to talk.

Of late the OT: (off topic) designation has been left off of posts a bit
more often than I might like on a busy day or week. However many of
those posts are part of the charm of the original L and the L2. The L
and the BBS preceding the L has not just been a place to get solid
information on Avids but a place to get that 30" second refresher
especially for those of us who no longer smoke and who either choose not
to keep a bottle in the bottom of the desk or work in places where it is
no longer considered acceptable to do so.

For some of us it is also an outlet for frustration. Maybe not the best
place but certainly a better alternative than going postal. I know there
have been posts I have made over the years where I regretted not adding
a smiley face or even posting at all. I thank all the members of the L
for reading between the lines on those posts and putting up with my
prattle over the years. At any given time I try to read between the
lines on the posts from my colleagues and comrades here if my patience
allows. Everyone has off days, weeks, months and sometimes years. The L
is an outlet for humour and frustration as well as a place of solid
technical information, workflow, inspiration and non-political,
non-religious ideas.

The last resort which I have only exercised extremely rarely (and not
since the L2 began) is to add a filter to my mail which sends postings
from particular people straight to the trash. The ultimate solution to
irritation.


DD

Dave Hogan wrote:
>
>
> Hey, what's the deal? I have often seen you make snide remarks about
> posts that discuss actual AVID issues. Have I ticked you off in some way?
>
> I have also often heard comments off line about how people don't want
> to participate in querries or discussions on this list because some in
> the group are so quick to criticize or make personal attacks.
>
> I don't care so much, I've learned to get a pretty thick skin over the
> years, but I feel that in general the environment here fails to
> lending itself to open discussion. Maybe I didn't get the memo on who
> gets to talk and who doesn't.
>
> I also don't get why this group likes to have literally hundreds of
> discussions on food and puppies, as opposed to experiences with using
> the AVID products, or ideas about workflow. I realize some questions
> seem ill formed or silly to those of us that have been editing for
> decades, but it wouldn't hurt for any of us to show a bit more patience.
>
> Have a nice weekend...
>
> Dave Hogan
> Burbank, CA
>
> ________________________________
> From: Terence Curren <tcurren@... <mailto:tcurren%40aol.com>>
> To: Avid-L2@yahoogroups.com <mailto:Avid-L2%40yahoogroups.com>
> Sent: Fri, November 6, 2009 11:37:38 PM
> Subject: [Avid-L2] Re: Taming EDL Manager, was: Urgent - 23.97 to 30I More
>
> Also, don't forget to:
>
> Draw a pentagram in the dirt by hand.
>
> Under the light of the moon, sacrifice a live chicken.
>
> Rotate counter clockwise three times while chanting "kcus nac
> ygolonhcet" a being ever so careful not to STEP OUTSIDE the pentagram.
>
> And maybe it will work...
>
> --- In Avid-L2@yahoogroups .com, Dave Hogan <mactvman@.. .> wrote:
> >
> > A few suggestions to tame the beast that is EDL Manager:
> >
> > 1) Turn off Optimize EDL.
> >
> > 2) Turn on "Show Dissolves as Cuts" "Show Audio Dissolves as Cuts"
> and "Show Wipes as Cuts"
> >
> >
> > 3) Promote motion effects to timewarps, or remove them all together.
> >
> > 4) Instead of clicking on the arrow buttons in the EDL window, use
> the menu commands for "Get Current Sequence" (command-G or ctrl-G) and
> "Create Composer Sequence" (Command-M or ctrl-M).
> >
> > 5) Re-name reels to 8 characters or less before you create EDL, and
> use CMX3600 as your EDL format, because it allows up to 8 character
> alphanumeric reel names, and many tracks of audio.
> >
> > 6) Check that you have valid TC in the Source TC format you have
> chosen, and it matches the frame rate of the Rec TC in the EDL Manager
> window.
> >
> > Another gotcha is that when people upgrade the Editor (Media
> Composer, Symphony) they often forget to upgrade the version of EDL
> Manager. Re-Install EDL Manager from the same version diskor download
> as your edit software.
> >
> > Each of the above has caused EDL manager to crash on me at one time
> or another, on various versions of the software. I don't suggest doing
> all of them at once, just try each to see if EDL Manager stops crashing.
> >
> > Hope this helps,
> >
> > Dave Hogan
> > Burbank, CA
> >
> >
> >
> >
> > ____________ _________ _________ __
> > From: Mark Myers <MarkM@...>
> > To: Avid-L2@yahoogroups .com
> > Sent: Fri, November 6, 2009 7:18:36 PM
> > Subject: Re: [Avid-L2] Re: Urgent - 23.97 to 30I More
> >
> >
> > Can't get an EDL exported. I keep getting errors in the EDL manager.
> >
> > On 11/6/09 7:47 PM, Terence Curren wrote:
> > >
> > > I'm confused, was your original source 23.98 on a 29.97 frame
> tape? If
> > > so, and you followed the proper cadence, then you actually have a
> > > proper 23.98 master. If you have access to a Symphony you can output
> > > it as a 30 frame conversion without any problems.
> > >
> > > If your sources were not 23.98, how come you didn't notice them being
> > > herky jerky in the movement?
> > >
> > > Next option is to go the EDL route. You will lose effects, titles,
> > > etc. But all of your shots will be there and motion effects and
> > > dissolves should be there for the most part. I have to admit, I've
> > > never gone in the 23.98 to 30 direction via edl before. Just follow
> > > Michael Philips' directions in reverse.
> > >
> > > http://24p.com/ 30_24.htm <http://24p.com/ 30_24.htm>
> > >
> > > --- In Avid-L2@yahoogroups .com <mailto:Avid- L2%40yahoogroups .com>,
> > > Mark Myers <MarkM@> wrote:
> > > >
> > > > This project also has significant amounts of Avid pan&scan work.
> > > > Am I hosed and looking at an all weekend, all night re-edit, or is
> > > there
> > > > some way to save my dumb ass?
> > > >
> > > > I need to get this out to 30I DVCam for air at a local station, and
> > > it's
> > > > a 60 program.
> > > >
> > > > Thanks
> > > > Mark
> > > >
> > > > On 11/6/09 7:07 PM, Mark Myers wrote:
> > > > >
> > > > >
> > > > > Need some help fixing a stupid mistake. Should have realized
> what was
> > > > > going on when I couldn't get a DV signal out of the avid.
> > > > >
> > > > > Shot major project in DVCam, 30i. Just discovered that like an
> > > idiot, I
> > > > > created a 23.97P project and did the edit.
> > > > >
> > > > > Anyone know of a good way to convert? I really don't want to
> reedit
> > > > > visually. I can probably get an edl over through the edl manager,
> > > but how
> > > > > accurate will this be?
> > > > >
> > > > > Thanks in advance for helping with my stupidity.
> > > > >
> > > > > Mark
> > > > >
> > > > > --
> > > > >
> > > > > S.R. Productions
> > > > > 195 W Broad St
> > > > > Salunga PA 17538
> > > > > 717-393-5504 / Cell 717-203-0976
> > > > >
> > > > >
> > > >
> > > > --
> > > > Owner/Director
> > > > S.R. Film & Video
> > > > 195 W Broad St
> > > > Salunga PA 17538
> > > >
> > > >
> > > > Cinematography, Still Photography, Copy Writing,
> > > > Post Production, Web Hosting & Design
> > > >
> > > > Office: 717-393-5504 ex 142
> > > > Cell: 717-203-0976
> > > > Fax: 717-393-1833
> > > >
> > > > www.SR-Pro.com <http://www.sr- pro.com/ <http://www.sr- pro.com/>>
> > > >
> > > >
> > > >
> > > >
> > > > [Non-text portions of this message have been removed]
> > > >
> > >
> > >
> >
> > --
> > Owner/Director
> > S.R. Film & Video
> > 195 W Broad St
> > Salunga PA 17538
> >
> > Cinematography, Still Photography, Copy Writing,
> > Post Production, Web Hosting & Design
> >
> > Office: 717-393-5504 ex 142
> > Cell: 717-203-0976
> > Fax: 717-393-1833
> >
> > www.SR-Pro.com <http://www.sr- pro.com/>
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
> >
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
> [Non-text portions of this message have been removed]
>
>

--
David Dawkins
780-905-9121
dawk2@...



[Non-text portions of this message have been removed]

I'm with you, David - I thought Terry's comment was amusing, myself.


HD Heaven Limited (company no: 04620550) is registered in England and Wales
at Branston Court, Branston Street, Birmingham BL8 6BA

-----Original Message-----
From: Avid-L2@yahoogroups.com [mailto:Avid-L2@yahoogroups.com] On Behalf Of
David Ross
Sent: 07 November 2009 12:49
To: Avid-L2@yahoogroups.com
Subject: Re: [Avid-L2] Acerbic attitude on the L2

Wow.
Well that's one way to react, I suppose.

I took it as a more amusing way saying, "Then cross your fingers and hope
for the best". Maybe I'm mistaken, but the only thing I took it a s a
critique of is the difficulties of getting an accurate EDL (and the general
mysteries of how to get modern technology to do our bidding). I'm really not
sure how anyone could have taken it it as a personal attack, unless they
wrote the code for EDL manager software.

David

Sorry Terry -

Am on the east coast of the US.  Gave up and went home to get some sleep
about 1:30am because I was getting whiplash from my head hitting the
back of the chair.  Back at it in the morning.

Thanks for your help.

Mark


On 11/6/09 11:49 PM, Terence Curren wrote:
>
>
>
> --- In Avid-L2@yahoogroups.com <mailto:Avid-L2%40yahoogroups.com>,
> Mark Myers <MarkM@...> wrote:
>
> << Can't get an EDL exported. I keep getting errors in the EDL manager.>>
>
> What kind of errors? What version of EDL manager?
>
>

--
Owner/Director
S.R. Film & Video
195 W Broad St
Salunga PA  17538


Cinematography, Still Photography, Copy Writing,
Post Production, Web Hosting & Design

Office: 717-393-5504  ex 142
Cell: 717-203-0976
Fax: 717-393-1833

www.SR-Pro.com <http://www.sr-pro.com/>




[Non-text portions of this message have been removed]

Already done, but my neighbor is pissed off about his chicken.  It was
close to a full moon last night so that should have helped.

The issue seems to be all the pan and scan effects.  This is a living
history type project with interviews and still images.  That - and
because I was monitoring on a full screen SVGA monitor instead of
through a firewire device - is why I didn't see the stutter.  The
interveiws didn't move all that much - and the pan-and-scans were all
rendered at 24p.  My warning came when the proof copy DVD - converted in
Squeeze to 30i looked stuttered, and then I couldn't output to DVCam.
The client - a veteran broadcast professional - never even noticed.

   Already told the wife and kids I'll see them Monday morning.  It's
looking like a very long weekend.  This morning I'll try deleting all
the stills from the sequence and try importing it through the edl
manager again.  At least that will save some time.

Thanks for the help Terry.   If you get any other brainstorms that might
save my sanity and allow me to get some sleep this weekend, let me know.

Mark



On 11/7/09 2:38 AM, Terence Curren wrote:
>
> Also, don't forget to:
>
> Draw a pentagram in the dirt by hand.
>
> Under the light of the moon, sacrifice a live chicken.
>
> Rotate counter clockwise three times while chanting "kcus nac
> ygolonhcet" a being ever so careful not to STEP OUTSIDE the pentagram.
>
> And maybe it will work...
>
> --- In Avid-L2@yahoogroups.com <mailto:Avid-L2%40yahoogroups.com>,
> Dave Hogan <mactvman@...> wrote:
> >
> > A few suggestions to tame the beast that is EDL Manager:
> >
> > 1) Turn off Optimize EDL.
> >
> > 2) Turn on "Show Dissolves as Cuts" "Show Audio Dissolves as Cuts"
> and "Show Wipes as Cuts"
> >
> >
> > 3) Promote motion effects to timewarps, or remove them all together.
> >
> > 4) Instead of clicking on the arrow buttons in the EDL window, use
> the menu commands for "Get Current Sequence" (command-G or ctrl-G) and
> "Create Composer Sequence" (Command-M or ctrl-M).
> >
> > 5) Re-name reels to 8 characters or less before you create EDL, and
> use CMX3600 as your EDL format, because it allows up to 8 character
> alphanumeric reel names, and many tracks of audio.
> >
> > 6) Check that you have valid TC in the Source TC format you have
> chosen, and it matches the frame rate of the Rec TC in the EDL Manager
> window.
> >
> > Another gotcha is that when people upgrade the Editor (Media
> Composer, Symphony) they often forget to upgrade the version of EDL
> Manager. Re-Install EDL Manager from the same version diskor download
> as your edit software.
> >
> > Each of the above has caused EDL manager to crash on me at one time
> or another, on various versions of the software. I don't suggest doing
> all of them at once, just try each to see if EDL Manager stops crashing.
> >
> > Hope this helps,
> >
> > Dave Hogan
> > Burbank, CA
> >
> >
> >
> >
> > ________________________________
> > From: Mark Myers <MarkM@...>
> > To: Avid-L2@yahoogroups.com <mailto:Avid-L2%40yahoogroups.com>
> > Sent: Fri, November 6, 2009 7:18:36 PM
> > Subject: Re: [Avid-L2] Re: Urgent - 23.97 to 30I More
> >
> >
> > Can't get an EDL exported. I keep getting errors in the EDL manager.
> >
> > On 11/6/09 7:47 PM, Terence Curren wrote:
> > >
> > > I'm confused, was your original source 23.98 on a 29.97 frame
> tape? If
> > > so, and you followed the proper cadence, then you actually have a
> > > proper 23.98 master. If you have access to a Symphony you can output
> > > it as a 30 frame conversion without any problems.
> > >
> > > If your sources were not 23.98, how come you didn't notice them being
> > > herky jerky in the movement?
> > >
> > > Next option is to go the EDL route. You will lose effects, titles,
> > > etc. But all of your shots will be there and motion effects and
> > > dissolves should be there for the most part. I have to admit, I've
> > > never gone in the 23.98 to 30 direction via edl before. Just follow
> > > Michael Philips' directions in reverse.
> > >
> > > http://24p.com/ 30_24.htm <http://24p.com/ 30_24.htm>
> > >
> > > --- In Avid-L2@yahoogroups .com <mailto:Avid- L2%40yahoogroups .com>,
> > > Mark Myers <MarkM@> wrote:
> > > >
> > > > This project also has significant amounts of Avid pan&scan work.
> > > > Am I hosed and looking at an all weekend, all night re-edit, or is
> > > there
> > > > some way to save my dumb ass?
> > > >
> > > > I need to get this out to 30I DVCam for air at a local station, and
> > > it's
> > > > a 60 program.
> > > >
> > > > Thanks
> > > > Mark
> > > >
> > > > On 11/6/09 7:07 PM, Mark Myers wrote:
> > > > >
> > > > >
> > > > > Need some help fixing a stupid mistake. Should have realized
> what was
> > > > > going on when I couldn't get a DV signal out of the avid.
> > > > >
> > > > > Shot major project in DVCam, 30i. Just discovered that like an
> > > idiot, I
> > > > > created a 23.97P project and did the edit.
> > > > >
> > > > > Anyone know of a good way to convert? I really don't want to
> reedit
> > > > > visually. I can probably get an edl over through the edl manager,
> > > but how
> > > > > accurate will this be?
> > > > >
> > > > > Thanks in advance for helping with my stupidity.
> > > > >
> > > > > Mark
> > > > >
> > > > > --
> > > > >
> > > > > S.R. Productions
> > > > > 195 W Broad St
> > > > > Salunga PA 17538
> > > > > 717-393-5504 / Cell 717-203-0976
> > > > >
> > > > >
> > > >
> > > > --
> > > > Owner/Director
> > > > S.R. Film & Video
> > > > 195 W Broad St
> > > > Salunga PA 17538
> > > >
> > > >
> > > > Cinematography, Still Photography, Copy Writing,
> > > > Post Production, Web Hosting & Design
> > > >
> > > > Office: 717-393-5504 ex 142
> > > > Cell: 717-203-0976
> > > > Fax: 717-393-1833
> > > >
> > > > www.SR-Pro.com <http://www.sr- pro.com/ <http://www.sr- pro.com/>>
> > > >
> > > >
> > > >
> > > >
> > > > [Non-text portions of this message have been removed]
> > > >
> > >
> > >
> >
> > --
> > Owner/Director
> > S.R. Film & Video
> > 195 W Broad St
> > Salunga PA 17538
> >
> > Cinematography, Still Photography, Copy Writing,
> > Post Production, Web Hosting & Design
> >
> > Office: 717-393-5504 ex 142
> > Cell: 717-203-0976
> > Fax: 717-393-1833
> >
> > www.SR-Pro.com <http://www.sr- pro.com/>
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
> >
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
>

--
Owner/Director
S.R. Film & Video
195 W Broad St
Salunga PA  17538


Cinematography, Still Photography, Copy Writing,
Post Production, Web Hosting & Design

Office: 717-393-5504  ex 142
Cell: 717-203-0976
Fax: 717-393-1833

www.SR-Pro.com <http://www.sr-pro.com/>




[Non-text portions of this message have been removed]

Wow.
Well that's one way to react, I suppose.

I took it as a more amusing way saying, "Then cross your fingers and hope
for the best". Maybe I'm mistaken, but the only thing I took it a s a
critique of is the difficulties of getting an accurate EDL (and the general
mysteries of how to get modern technology to do our bidding). I'm really not
sure how anyone could have taken it it as a personal attack, unless they
wrote the code for EDL manager software.

David


2009/11/7 Dave Hogan <mactvman@...>

>
>
> Hey, what's the deal? I have often seen you make snide remarks about posts
> that discuss actual AVID issues. Have I ticked you off in some way?
>
> I have also often heard comments off line about how people don't want to
> participate in querries or discussions on this list because some in the
> group are so quick to criticize or make personal attacks.
>
> I don't care so much, I've learned to get a pretty thick skin over the
> years, but I feel that in general the environment here fails to lending
> itself to open discussion. Maybe I didn't get the memo on who gets to talk
> and who doesn't.
>
> I also don't get why this group likes to have literally hundreds of
> discussions on food and puppies, as opposed to experiences with using the
> AVID products, or ideas about workflow. I realize some questions seem ill
> formed or silly to those of us that have been editing for decades, but it
> wouldn't hurt for any of us to show a bit more patience.
>
> Have a nice weekend...
>
> Dave Hogan
> Burbank, CA
>
> ________________________________
> From: Terence Curren <tcurren@... <tcurren%40aol.com>>
> To: Avid-L2@yahoogroups.com <Avid-L2%40yahoogroups.com>
> Sent: Fri, November 6, 2009 11:37:38 PM
> Subject: [Avid-L2] Re: Taming EDL Manager, was: Urgent - 23.97 to 30I More
>
> Also, don't forget to:
>
> Draw a pentagram in the dirt by hand.
>
> Under the light of the moon, sacrifice a live chicken.
>
> Rotate counter clockwise three times while chanting "kcus nac ygolonhcet" a
> being ever so careful not to STEP OUTSIDE the pentagram.
>
> And maybe it will work...
>


[Non-text portions of this message have been removed]

On 7 Nov 2009, at 08:38, Dave Hogan wrote:

> I have also often heard comments off line about how people don't
> want to participate in querries or discussions on this list because
> some in the group are so quick to criticize or make personal attacks.


This is what caused the Original Avid-L to become L2.    I am sure
Editors can learn from history.
Let it be so.


Barry Stevens
bazza76@...

showreel at  http://www.youtube.com/watch?v=K98bLtEIHjs






[Non-text portions of this message have been removed]

That's actually not so odd as you might think.


HD Heaven Limited (company no: 04620550) is registered in England and Wales
at Branston Court, Branston Street, Birmingham BL8 6BA

-----Original Message-----
From: Avid-L2@yahoogroups.com [mailto:Avid-L2@yahoogroups.com] On Behalf Of
oliverpetersvidy
Sent: 07 November 2009 00:22
To: Avid-L2@yahoogroups.com
Subject: [Avid-L2] Re: Avid|DS Training Edition Installation Query

The odd part is that judging by the posts, it actually sounds like Terry has
higher regard for DS than Knut does.

- Oliver

Dear friend,
      This is the greeting from ELCTRADEW LTD.,one of the big Electrical
wholesaler and Retailer in China.We mainly sell electrical product such as
digital cameras, mobile,LCD TV,xbox, Laptops,DV,Mp4, GPS, please visit our
website: www.joibuy.com  to find something you may interested and please contact
us freely if you have any question, we will offer more competitive price and
best service for business cooperation with you/your company.

Mail : export@...
MSN  : joibuy@...

Thank you and best regards.

[Non-text portions of this message have been removed]

Hey, what's the deal?  I have often seen you make snide remarks about posts that
discuss actual AVID issues.  Have I ticked you off in some way?

I have also often heard comments off line about how people don't want to
participate in querries or discussions on this list because some in the group
are so quick to criticize or make personal attacks.

I don't care so much, I've learned to get a pretty thick skin over the years,
but I feel that in general the environment here fails to lending itself to open
discussion.  Maybe I didn't get the memo on who gets to talk and who doesn't.

I also don't get why this group likes to have literally hundreds of discussions
on food and puppies, as opposed to experiences with using the AVID products, or
ideas about workflow.  I realize some questions seem ill formed or silly to
those of us that have been editing for decades, but it wouldn't hurt for any of
us to show a bit more patience.

Have a nice weekend...

Dave Hogan
Burbank, CA






________________________________
From: Terence Curren <tcurren@...>
To: Avid-L2@yahoogroups.com
Sent: Fri, November 6, 2009 11:37:38 PM
Subject: [Avid-L2] Re: Taming EDL Manager, was: Urgent - 23.97 to 30I More


Also, don't forget to:

Draw a pentagram in the dirt by hand.

Under the light of the moon, sacrifice a live chicken.

Rotate counter clockwise three times while chanting "kcus nac ygolonhcet" a
being ever so careful not to STEP OUTSIDE the pentagram.

And maybe it will work...

--- In Avid-L2@yahoogroups .com, Dave Hogan <mactvman@.. .> wrote:
>
> A few suggestions to tame the beast that is EDL Manager:
>
> 1) Turn off Optimize EDL.
>
> 2) Turn on "Show Dissolves as Cuts" "Show Audio Dissolves as Cuts" and "Show
Wipes as Cuts"
>
>
> 3) Promote motion effects to timewarps, or remove them all together.
>
> 4) Instead of clicking on the arrow buttons in the EDL window, use the menu
commands for "Get Current Sequence" (command-G or ctrl-G) and "Create Composer
Sequence" (Command-M or ctrl-M).
>
> 5) Re-name reels to 8 characters or less before you create EDL, and use
CMX3600 as your EDL format, because it allows up to 8 character alphanumeric
reel names, and many tracks of audio.
>
> 6) Check that you have valid TC in the Source TC format you have chosen, and
it matches the frame rate of the Rec TC in the EDL Manager window.
>
>     Another gotcha is that when people upgrade the Editor (Media Composer,
Symphony) they often forget to upgrade the version of EDL Manager.  Re-Install
EDL Manager from the same version diskor download as your edit software.
>
> Each of the above has caused EDL manager to crash on me at one time or
another, on various versions of the software.  I don't suggest doing all of them
at once, just try each to see if EDL Manager stops crashing.
>
> Hope this helps,
>
> Dave Hogan
> Burbank, CA
>
>
>
>
> ____________ _________ _________ __
> From: Mark Myers <MarkM@...>
> To: Avid-L2@yahoogroups .com
> Sent: Fri, November 6, 2009 7:18:36 PM
> Subject: Re: [Avid-L2] Re: Urgent - 23.97 to 30I More
>
>
> Can't get an EDL exported. I keep getting errors in the EDL manager.
>
> On 11/6/09 7:47 PM, Terence Curren wrote:
> >
> > I'm confused, was your original source 23.98 on a 29.97 frame tape? If
> > so, and you followed the proper cadence, then you actually have a
> > proper 23.98 master. If you have access to a Symphony you can output
> > it as a 30 frame conversion without any problems.
> >
> > If your sources were not 23.98, how come you didn't notice them being
> > herky jerky in the movement?
> >
> > Next option is to go the EDL route. You will lose effects, titles,
> > etc. But all of your shots will be there and motion effects and
> > dissolves should be there for the most part. I have to admit, I've
> > never gone in the 23.98 to 30 direction via edl before. Just follow
> > Michael Philips' directions in reverse.
> >
> > http://24p.com/ 30_24.htm <http://24p.com/ 30_24.htm>
> >
> > --- In Avid-L2@yahoogroups .com <mailto:Avid- L2%40yahoogroups .com>,
> > Mark Myers <MarkM@> wrote:
> > >
> > > This project also has significant amounts of Avid pan&scan work.
> > > Am I hosed and looking at an all weekend, all night re-edit, or is
> > there
> > > some way to save my dumb ass?
> > >
> > > I need to get this out to 30I DVCam for air at a local station, and
> > it's
> > > a 60 program.
> > >
> > > Thanks
> > > Mark
> > >
> > > On 11/6/09 7:07 PM, Mark Myers wrote:
> > > >
> > > >
> > > > Need some help fixing a stupid mistake. Should have realized what was
> > > > going on when I couldn't get a DV signal out of the avid.
> > > >
> > > > Shot major project in DVCam, 30i. Just discovered that like an
> > idiot, I
> > > > created a 23.97P project and did the edit.
> > > >
> > > > Anyone know of a good way to convert? I really don't want to reedit
> > > > visually. I can probably get an edl over through the edl manager,
> > but how
> > > > accurate will this be?
> > > >
> > > > Thanks in advance for helping with my stupidity.
> > > >
> > > > Mark
> > > >
> > > > --
> > > >
> > > > S.R. Productions
> > > > 195 W Broad St
> > > > Salunga PA 17538
> > > > 717-393-5504 / Cell 717-203-0976
> > > >
> > > >
> > >
> > > --
> > > Owner/Director
> > > S.R. Film & Video
> > > 195 W Broad St
> > > Salunga PA 17538
> > >
> > >
> > > Cinematography, Still Photography, Copy Writing,
> > > Post Production, Web Hosting & Design
> > >
> > > Office: 717-393-5504 ex 142
> > > Cell: 717-203-0976
> > > Fax: 717-393-1833
> > >
> > > www.SR-Pro.com <http://www.sr- pro.com/ <http://www.sr- pro.com/>>
> > >
> > >
> > >
> > >
> > > [Non-text portions of this message have been removed]
> > >
> >
> >
>
> --
> Owner/Director
> S.R. Film & Video
> 195 W Broad St
> Salunga PA  17538
>
> Cinematography, Still Photography, Copy Writing,
> Post Production, Web Hosting & Design
>
> Office: 717-393-5504  ex 142
> Cell: 717-203-0976
> Fax: 717-393-1833
>
> www.SR-Pro.com <http://www.sr- pro.com/>
>
> [Non-text portions of this message have been removed]
>
>
>
>
>
>
>
> [Non-text portions of this message have been removed]
>







[Non-text portions of this message have been removed]

"o_dms@..." (07-11-2009 08:49) :

> Please guide me to a fresh installation of MC 3.1.3, without losing my
> projects.

A fresh installation will not kill your projects or media.
For safety, just make a backup of your Avid Projects folder.


--
Job ter Burg
film editor - NL

Please guide me to a fresh installation of MC 3.1.3, without losing my projects.

The main problem I face is that MOJO is not fully functional, i.e. playback of
timeline stops and I have to hear audio through the Digidesign 002 Mixer!

Thanks
David Deane



[Non-text portions of this message have been removed]

Also, don't forget to:

Draw a pentagram in the dirt by hand.

Under the light of the moon, sacrifice a live chicken.

Rotate counter clockwise three times while chanting "kcus nac ygolonhcet" a
being ever so careful not to STEP OUTSIDE the pentagram.

And maybe it will work...




--- In Avid-L2@yahoogroups.com, Dave Hogan <mactvman@...> wrote:
>
> A few suggestions to tame the beast that is EDL Manager:
>
> 1) Turn off Optimize EDL.
>
> 2) Turn on "Show Dissolves as Cuts" "Show Audio Dissolves as Cuts" and "Show
Wipes as Cuts"
>
>
> 3) Promote motion effects to timewarps, or remove them all together.
>
> 4) Instead of clicking on the arrow buttons in the EDL window, use the menu
commands for "Get Current Sequence" (command-G or ctrl-G) and "Create Composer
Sequence" (Command-M or ctrl-M).
>
> 5) Re-name reels to 8 characters or less before you create EDL, and use
CMX3600 as your EDL format, because it allows up to 8 character alphanumeric
reel names, and many tracks of audio.
>
> 6) Check that you have valid TC in the Source TC format you have chosen, and
it matches the frame rate of the Rec TC in the EDL Manager window.
>
>     Another gotcha is that when people upgrade the Editor (Media Composer,
Symphony) they often forget to upgrade the version of EDL Manager.  Re-Install
EDL Manager from the same version diskor download as your edit software.
>
> Each of the above has caused EDL manager to crash on me at one time or
another, on various versions of the software.  I don't suggest doing all of them
at once, just try each to see if EDL Manager stops crashing.
>
> Hope this helps,
>
> Dave Hogan
> Burbank, CA
>
>
>
>
> ________________________________
> From: Mark Myers <MarkM@...>
> To: Avid-L2@yahoogroups.com
> Sent: Fri, November 6, 2009 7:18:36 PM
> Subject: Re: [Avid-L2] Re: Urgent - 23.97 to 30I More
>
>
> Can't get an EDL exported. I keep getting errors in the EDL manager.
>
> On 11/6/09 7:47 PM, Terence Curren wrote:
> >
> > I'm confused, was your original source 23.98 on a 29.97 frame tape? If
> > so, and you followed the proper cadence, then you actually have a
> > proper 23.98 master. If you have access to a Symphony you can output
> > it as a 30 frame conversion without any problems.
> >
> > If your sources were not 23.98, how come you didn't notice them being
> > herky jerky in the movement?
> >
> > Next option is to go the EDL route. You will lose effects, titles,
> > etc. But all of your shots will be there and motion effects and
> > dissolves should be there for the most part. I have to admit, I've
> > never gone in the 23.98 to 30 direction via edl before. Just follow
> > Michael Philips' directions in reverse.
> >
> > http://24p.com/ 30_24.htm <http://24p.com/ 30_24.htm>
> >
> > --- In Avid-L2@yahoogroups .com <mailto:Avid- L2%40yahoogroups .com>,
> > Mark Myers <MarkM@> wrote:
> > >
> > > This project also has significant amounts of Avid pan&scan work.
> > > Am I hosed and looking at an all weekend, all night re-edit, or is
> > there
> > > some way to save my dumb ass?
> > >
> > > I need to get this out to 30I DVCam for air at a local station, and
> > it's
> > > a 60 program.
> > >
> > > Thanks
> > > Mark
> > >
> > > On 11/6/09 7:07 PM, Mark Myers wrote:
> > > >
> > > >
> > > > Need some help fixing a stupid mistake. Should have realized what was
> > > > going on when I couldn't get a DV signal out of the avid.
> > > >
> > > > Shot major project in DVCam, 30i. Just discovered that like an
> > idiot, I
> > > > created a 23.97P project and did the edit.
> > > >
> > > > Anyone know of a good way to convert? I really don't want to reedit
> > > > visually. I can probably get an edl over through the edl manager,
> > but how
> > > > accurate will this be?
> > > >
> > > > Thanks in advance for helping with my stupidity.
> > > >
> > > > Mark
> > > >
> > > > --
> > > >
> > > > S.R. Productions
> > > > 195 W Broad St
> > > > Salunga PA 17538
> > > > 717-393-5504 / Cell 717-203-0976
> > > >
> > > >
> > >
> > > --
> > > Owner/Director
> > > S.R. Film & Video
> > > 195 W Broad St
> > > Salunga PA 17538
> > >
> > >
> > > Cinematography, Still Photography, Copy Writing,
> > > Post Production, Web Hosting & Design
> > >
> > > Office: 717-393-5504 ex 142
> > > Cell: 717-203-0976
> > > Fax: 717-393-1833
> > >
> > > www.SR-Pro.com <http://www.sr- pro.com/ <http://www.sr- pro.com/>>
> > >
> > >
> > >
> > >
> > > [Non-text portions of this message have been removed]
> > >
> >
> >
>
> --
> Owner/Director
> S.R. Film & Video
> 195 W Broad St
> Salunga PA  17538
>
> Cinematography, Still Photography, Copy Writing,
> Post Production, Web Hosting & Design
>
> Office: 717-393-5504  ex 142
> Cell: 717-203-0976
> Fax: 717-393-1833
>
> www.SR-Pro.com <http://www.sr- pro.com/>
>
> [Non-text portions of this message have been removed]
>
>
>
>
>
>
>
> [Non-text portions of this message have been removed]
>

A few suggestions to tame the beast that is EDL Manager:

1) Turn off Optimize EDL.

2) Turn on "Show Dissolves as Cuts" "Show Audio Dissolves as Cuts" and "Show
Wipes as Cuts"


3) Promote motion effects to timewarps, or remove them all together.

4) Instead of clicking on the arrow buttons in the EDL window, use the menu
commands for "Get Current Sequence" (command-G or ctrl-G) and "Create Composer
Sequence" (Command-M or ctrl-M).

5) Re-name reels to 8 characters or less before you create EDL, and use CMX3600
as your EDL format, because it allows up to 8 character alphanumeric reel names,
and many tracks of audio.

6) Check that you have valid TC in the Source TC format you have chosen, and it
matches the frame rate of the Rec TC in the EDL Manager window.

     Another gotcha is that when people upgrade the Editor (Media Composer,
Symphony) they often forget to upgrade the version of EDL Manager.  Re-Install
EDL Manager from the same version diskor download as your edit software.

Each of the above has caused EDL manager to crash on me at one time or another,
on various versions of the software.  I don't suggest doing all of them at once,
just try each to see if EDL Manager stops crashing.

Hope this helps,

Dave Hogan
Burbank, CA




________________________________
From: Mark Myers <MarkM@...>
To: Avid-L2@yahoogroups.com
Sent: Fri, November 6, 2009 7:18:36 PM
Subject: Re: [Avid-L2] Re: Urgent - 23.97 to 30I More


Can't get an EDL exported. I keep getting errors in the EDL manager.

On 11/6/09 7:47 PM, Terence Curren wrote:
>
> I'm confused, was your original source 23.98 on a 29.97 frame tape? If
> so, and you followed the proper cadence, then you actually have a
> proper 23.98 master. If you have access to a Symphony you can output
> it as a 30 frame conversion without any problems.
>
> If your sources were not 23.98, how come you didn't notice them being
> herky jerky in the movement?
>
> Next option is to go the EDL route. You will lose effects, titles,
> etc. But all of your shots will be there and motion effects and
> dissolves should be there for the most part. I have to admit, I've
> never gone in the 23.98 to 30 direction via edl before. Just follow
> Michael Philips' directions in reverse.
>
> http://24p.com/ 30_24.htm <http://24p.com/ 30_24.htm>
>
> --- In Avid-L2@yahoogroups .com <mailto:Avid- L2%40yahoogroups .com>,
> Mark Myers <MarkM@...> wrote:
> >
> > This project also has significant amounts of Avid pan&scan work.
> > Am I hosed and looking at an all weekend, all night re-edit, or is
> there
> > some way to save my dumb ass?
> >
> > I need to get this out to 30I DVCam for air at a local station, and
> it's
> > a 60 program.
> >
> > Thanks
> > Mark
> >
> > On 11/6/09 7:07 PM, Mark Myers wrote:
> > >
> > >
> > > Need some help fixing a stupid mistake. Should have realized what was
> > > going on when I couldn't get a DV signal out of the avid.
> > >
> > > Shot major project in DVCam, 30i. Just discovered that like an
> idiot, I
> > > created a 23.97P project and did the edit.
> > >
> > > Anyone know of a good way to convert? I really don't want to reedit
> > > visually. I can probably get an edl over through the edl manager,
> but how
> > > accurate will this be?
> > >
> > > Thanks in advance for helping with my stupidity.
> > >
> > > Mark
> > >
> > > --
> > >
> > > S.R. Productions
> > > 195 W Broad St
> > > Salunga PA 17538
> > > 717-393-5504 / Cell 717-203-0976
> > >
> > >
> >
> > --
> > Owner/Director
> > S.R. Film & Video
> > 195 W Broad St
> > Salunga PA 17538
> >
> >
> > Cinematography, Still Photography, Copy Writing,
> > Post Production, Web Hosting & Design
> >
> > Office: 717-393-5504 ex 142
> > Cell: 717-203-0976
> > Fax: 717-393-1833
> >
> > www.SR-Pro.com <http://www.sr- pro.com/ <http://www.sr- pro.com/>>
> >
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
>

--
Owner/Director
S.R. Film & Video
195 W Broad St
Salunga PA  17538

Cinematography, Still Photography, Copy Writing,
Post Production, Web Hosting & Design

Office: 717-393-5504  ex 142
Cell: 717-203-0976
Fax: 717-393-1833

www.SR-Pro.com <http://www.sr- pro.com/>

[Non-text portions of this message have been removed]







[Non-text portions of this message have been removed]

Good thing Rubin isn't in Korea...

Knut A. Helgeland wrote:
>
>
> On 6. nov. 2009, at 23.05, johnrobmoore wrote:
>
> > Actually Rubin has a stuffed duck at home and it is very life like.
> > In fact he uses it to do total conform on most of the Reality shows
> > posted in LA. Have duck will online that's our motto. ;-)
>
> Foie gras.
>
> K
>
>

--
David Dawkins
780-905-9121
dawk2@...



[Non-text portions of this message have been removed]

--- In Avid-L2@yahoogroups.com, Mark Myers <MarkM@...> wrote:


<< Can't get an EDL exported. I keep getting errors in the EDL manager.>>

  What kind of errors? What version of EDL manager?

Can't get an EDL exported. I keep getting errors in the EDL manager.


On 11/6/09 7:47 PM, Terence Curren wrote:
>
> I'm confused, was your original source 23.98 on a 29.97 frame tape? If
> so, and you followed the proper cadence, then you actually have a
> proper 23.98 master. If you have access to a Symphony you can output
> it as a 30 frame conversion without any problems.
>
> If your sources were not 23.98, how come you didn't notice them being
> herky jerky in the movement?
>
> Next option is to go the EDL route. You will lose effects, titles,
> etc. But all of your shots will be there and motion effects and
> dissolves should be there for the most part. I have to admit, I've
> never gone in the 23.98 to 30 direction via edl before. Just follow
> Michael Philips' directions in reverse.
>
> http://24p.com/30_24.htm <http://24p.com/30_24.htm>
>
> --- In Avid-L2@yahoogroups.com <mailto:Avid-L2%40yahoogroups.com>,
> Mark Myers <MarkM@...> wrote:
> >
> > This project also has significant amounts of Avid pan&scan work.
> > Am I hosed and looking at an all weekend, all night re-edit, or is
> there
> > some way to save my dumb ass?
> >
> > I need to get this out to 30I DVCam for air at a local station, and
> it's
> > a 60 program.
> >
> > Thanks
> > Mark
> >
> > On 11/6/09 7:07 PM, Mark Myers wrote:
> > >
> > >
> > > Need some help fixing a stupid mistake. Should have realized what was
> > > going on when I couldn't get a DV signal out of the avid.
> > >
> > > Shot major project in DVCam, 30i. Just discovered that like an
> idiot, I
> > > created a 23.97P project and did the edit.
> > >
> > > Anyone know of a good way to convert? I really don't want to reedit
> > > visually. I can probably get an edl over through the edl manager,
> but how
> > > accurate will this be?
> > >
> > > Thanks in advance for helping with my stupidity.
> > >
> > > Mark
> > >
> > > --
> > >
> > > S.R. Productions
> > > 195 W Broad St
> > > Salunga PA 17538
> > > 717-393-5504 / Cell 717-203-0976
> > >
> > >
> >
> > --
> > Owner/Director
> > S.R. Film & Video
> > 195 W Broad St
> > Salunga PA 17538
> >
> >
> > Cinematography, Still Photography, Copy Writing,
> > Post Production, Web Hosting & Design
> >
> > Office: 717-393-5504 ex 142
> > Cell: 717-203-0976
> > Fax: 717-393-1833
> >
> > www.SR-Pro.com <http://www.sr-pro.com/ <http://www.sr-pro.com/>>
> >
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
>

--
Owner/Director
S.R. Film & Video
195 W Broad St
Salunga PA  17538


Cinematography, Still Photography, Copy Writing,
Post Production, Web Hosting & Design

Office: 717-393-5504  ex 142
Cell: 717-203-0976
Fax: 717-393-1833

www.SR-Pro.com <http://www.sr-pro.com/>




[Non-text portions of this message have been removed]

On Nov 6, 2009, at Nov 6 6:31 PM, John Moore wrote:

> Is this Archive Utility standard on Macs?  Still finding all kind
> of things now that I'm Mac SNDX.

Been part of OS X for some time. To make a .zip of any file or folder
without involving DropStuff just right click/option-click on item and
select the "Create archive of xxx".
--
Chuck Reti
Detroit MI

can we now get back to talking smack about each other's preferred
products?

...sounds like 2 men fighting over who has the largest bucket on a
sinking ship...



and yes. that ship being Avid.



Marc




On Nov 6, 2009, at 4:47 PM, Terence Curren wrote:

>
>
> --- In Avid-L2@yahoogroups.com, Gus <gustheeditor@...> wrote:
>
> <<Please don't stereotype the DS Community by letting the words of a
> few be taken as representative of the DS Community as a whole. >>
>
> Fair enough Gus, please except my apology.
>
>
>

Marc Fisher
cav2ya@...





[Non-text portions of this message have been removed]

30I source.
Mostly talking heads, so didn't notice the herky jerky.
No access to a symphony, so I guess it's no sleep this weekend.

Thanks
Mark


On 11/6/09 7:47 PM, Terence Curren wrote:
>
> I'm confused, was your original source 23.98 on a 29.97 frame tape? If
> so, and you followed the proper cadence, then you actually have a
> proper 23.98 master. If you have access to a Symphony you can output
> it as a 30 frame conversion without any problems.
>
> If your sources were not 23.98, how come you didn't notice them being
> herky jerky in the movement?
>
> Next option is to go the EDL route. You will lose effects, titles,
> etc. But all of your shots will be there and motion effects and
> dissolves should be there for the most part. I have to admit, I've
> never gone in the 23.98 to 30 direction via edl before. Just follow
> Michael Philips' directions in reverse.
>
> http://24p.com/30_24.htm <http://24p.com/30_24.htm>
>
> --- In Avid-L2@yahoogroups.com <mailto:Avid-L2%40yahoogroups.com>,
> Mark Myers <MarkM@...> wrote:
> >
> > This project also has significant amounts of Avid pan&scan work.
> > Am I hosed and looking at an all weekend, all night re-edit, or is
> there
> > some way to save my dumb ass?
> >
> > I need to get this out to 30I DVCam for air at a local station, and
> it's
> > a 60 program.
> >
> > Thanks
> > Mark
> >
> > On 11/6/09 7:07 PM, Mark Myers wrote:
> > >
> > >
> > > Need some help fixing a stupid mistake. Should have realized what was
> > > going on when I couldn't get a DV signal out of the avid.
> > >
> > > Shot major project in DVCam, 30i. Just discovered that like an
> idiot, I
> > > created a 23.97P project and did the edit.
> > >
> > > Anyone know of a good way to convert? I really don't want to reedit
> > > visually. I can probably get an edl over through the edl manager,
> but how
> > > accurate will this be?
> > >
> > > Thanks in advance for helping with my stupidity.
> > >
> > > Mark
> > >
> > > --
> > >
> > > S.R. Productions
> > > 195 W Broad St
> > > Salunga PA 17538
> > > 717-393-5504 / Cell 717-203-0976
> > >
> > >
> >
> > --
> > Owner/Director
> > S.R. Film & Video
> > 195 W Broad St
> > Salunga PA 17538
> >
> >
> > Cinematography, Still Photography, Copy Writing,
> > Post Production, Web Hosting & Design
> >
> > Office: 717-393-5504 ex 142
> > Cell: 717-203-0976
> > Fax: 717-393-1833
> >
> > www.SR-Pro.com <http://www.sr-pro.com/ <http://www.sr-pro.com/>>
> >
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
>

--
Owner/Director
S.R. Film & Video
195 W Broad St
Salunga PA  17538


Cinematography, Still Photography, Copy Writing,
Post Production, Web Hosting & Design

Office: 717-393-5504  ex 142
Cell: 717-203-0976
Fax: 717-393-1833

www.SR-Pro.com <http://www.sr-pro.com/>




[Non-text portions of this message have been removed]