Greetings.

Has anyone out there had a chance to sucessfully install ***AND LAUNCH*** the
current version of the Avid|DS v10.2 Training Edition software on a MacBook Pro
running Boot Camp v2.1 under MacOS 10.6.1?  If so, can you confirm the
partitioning & networking requirements of such an installation?

I have a Media Composer system with a first-generation MOJO standing-by if the
MacBook Pro/Boot Camp option isn't viable, yet would like to avoid mixing two
Avid editing products on that system.  The PDF file for the most recent version
of Avid|DS Training Edition(v10.1.2) indicates the SOFTWARE-ONLY version of
Media Composer is compatable.  Can anyone confirm this, and whether leaving a
first-generation MOJO attached will affect functionality of the DS (or Media
Composer) software?

Many thanks in advance for your feedback, and for providing excellent
information on a daily basis.

--Jesstator--

No you could do it in 5 second with an ADO and a GVG switcher.  No ram preview
no rendering just build the effect and hit run.  Or GPI of your choice.  I often
say if it were linear we'd be done.  Changes what are those?  ;-)

--- In Avid-L2@yahoogroups.com, Rick <a_pmb_fan@...> wrote:
>
> Avid FX, which is Boris Red. If you haven't used it before, it's somewhat
like AE, or of course you could do it in 5 seconds in AE with 2 3d layers back
to back and a null to rotate them.
>  Rick Emery
> www.rickemery.com
>
>
>
>
> ________________________________
> From: Mander5161 <mander5161@...>
> To: "Avid-L2@yahoogroups.com" <Avid-L2@yahoogroups.com>
> Sent: Wed, November 4, 2009 8:55:37 PM
> Subject: [Avid-L2] A/B 2 side pip
>
>  
> I want my ado 3000 back! I just want to have a 2 sided post card
> floating fx rotate to show both sides. I know I can add an edit and
> put the other side in at the twist, but an a side and b side option
> would make this a lot easier. I thought of the back side of a bcc page
> turn , but that didn't fully work. Am I missing something obvious?
>
> Mark Anderson
> Chicago
>
>
>
>
>
>
>
> [Non-text portions of this message have been removed]
>

Please ignore -- operator error.


--- In Avid-L2@yahoogroups.com, "blafarm" <blafarm@...> wrote:
>
> I'm not sure if this is operator error -- or v.4 -- but I am recently having
the experience of being in "Effects" mode -- and not being able to change a
parameter by 10 units by holding the Control Key down while pressing the Right
or Left arrows.
>
> And then that functionality mysteriously re-appears.
>
> Anyone else seeing this?
>

I'm not sure if this is operator error -- or v.4 -- but I am recently having the
experience of being in "Effects" mode -- and not being able to change a
parameter by 10 units by holding the Control Key down while pressing the Right
or Left arrows.

And then that functionality mysteriously re-appears.

Anyone else seeing this?

Avid FX, which is Boris Red. If you haven't used it before, it's somewhat like
AE, or of course you could do it in 5 seconds in AE with 2 3d layers back to
back and a null to rotate them.
 Rick Emery
www.rickemery.com




________________________________
From: Mander5161 <mander5161@...>
To: "Avid-L2@yahoogroups.com" <Avid-L2@yahoogroups.com>
Sent: Wed, November 4, 2009 8:55:37 PM
Subject: [Avid-L2] A/B 2 side pip

 
I want my ado 3000 back! I just want to have a 2 sided post card
floating fx rotate to show both sides. I know I can add an edit and
put the other side in at the twist, but an a side and b side option
would make this a lot easier. I thought of the back side of a bcc page
turn , but that didn't fully work. Am I missing something obvious?

Mark Anderson
Chicago







[Non-text portions of this message have been removed]

I want my ado 3000 back!  I just want to have a 2 sided post card
floating fx rotate to show both sides. I know I can add an edit and
put the other side in at the twist, but an a side and b side option
would make this a lot easier. I thought of the back side of a bcc page
turn , but that didn't fully work. Am I missing something obvious?

Mark Anderson
Chicago

I just wrote an article on transcription for www.provideocoalition.com

http://provideocoalition.com/index.php/shullfish/story/trans_ylvania/

On Nov 4, 2009, at 6:15 PM, Wes Plate wrote:

>
> I'm working on a project where it would be fun to try ScriptSync, does
> anyone have recommendations for economical transcription services?
>
> --
> Wes Plate
> Automatic Duck, Inc.
> http://www.automaticduck.com
>
>



[Non-text portions of this message have been removed]

I'm working on a project where it would be fun to try ScriptSync, does
anyone have recommendations for economical transcription services?


--
Wes Plate
  Automatic Duck, Inc.
   http://www.automaticduck.com

In a pinch on a location shoot I was actually able to pick up some extra 635As
at the local Ace hardware.  They were right there in the isle next to the other
hammers.  ;-)

--- In Avid-L2@yahoogroups.com, "switthaus" <switthaus@...> wrote:
>
> disregard...just found them.
>
> sw
>
>
> --- In Avid-L2@yahoogroups.com, "switthaus" <switthaus@> wrote:
> >
> > Are they still making those 635's?  I remember them from my very old PBS
days, and they were brutes....great for students!
> >
> > sw
> >
> >
> > --- In Avid-L2@yahoogroups.com, David Dawkins <dawk2@> wrote:
> > >
> > > Seconded, although for hand held the 635 was the hammer of choice for
> > > driving nails. ;)
> > >
> > > DD
> > >
> > > Tom McDonnell wrote:
> > > >
> > > >
> > > > Well the most rugged mics I've ever used where EV-RE50( handheld
> > > > dynamic mic you can drive nails with it) Sony ECM-77's. The weak link
> > > > in any lav is where the mic cord terminates at the XLR connector. You
> > > > can strain relief it or be prepared to do some microscopic soldering.
> > > >
> > > > There are probably newer mics out there but the 77's I dragged around
> > > > in news for 15 years without any problems other than the rare mic cord
> > > > re-soldering.
> > > >
> > > > TMcD
> > > >
> > > >
> > >
> > > --
> > > David Dawkins
> > > 780-905-9121
> > > dawk2@
> > >
> > >
> > >
> > > [Non-text portions of this message have been removed]
> > >
> >
>

disregard...just found them.

sw


--- In Avid-L2@yahoogroups.com, "switthaus" <switthaus@...> wrote:
>
> Are they still making those 635's?  I remember them from my very old PBS days,
and they were brutes....great for students!
>
> sw
>
>
> --- In Avid-L2@yahoogroups.com, David Dawkins <dawk2@> wrote:
> >
> > Seconded, although for hand held the 635 was the hammer of choice for
> > driving nails. ;)
> >
> > DD
> >
> > Tom McDonnell wrote:
> > >
> > >
> > > Well the most rugged mics I've ever used where EV-RE50( handheld
> > > dynamic mic you can drive nails with it) Sony ECM-77's. The weak link
> > > in any lav is where the mic cord terminates at the XLR connector. You
> > > can strain relief it or be prepared to do some microscopic soldering.
> > >
> > > There are probably newer mics out there but the 77's I dragged around
> > > in news for 15 years without any problems other than the rare mic cord
> > > re-soldering.
> > >
> > > TMcD
> > >
> > >
> >
> > --
> > David Dawkins
> > 780-905-9121
> > dawk2@
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>

Are they still making those 635's?  I remember them from my very old PBS days,
and they were brutes....great for students!

sw


--- In Avid-L2@yahoogroups.com, David Dawkins <dawk2@...> wrote:
>
> Seconded, although for hand held the 635 was the hammer of choice for
> driving nails. ;)
>
> DD
>
> Tom McDonnell wrote:
> >
> >
> > Well the most rugged mics I've ever used where EV-RE50( handheld
> > dynamic mic you can drive nails with it) Sony ECM-77's. The weak link
> > in any lav is where the mic cord terminates at the XLR connector. You
> > can strain relief it or be prepared to do some microscopic soldering.
> >
> > There are probably newer mics out there but the 77's I dragged around
> > in news for 15 years without any problems other than the rare mic cord
> > re-soldering.
> >
> > TMcD
> >
> >
>
> --
> David Dawkins
> 780-905-9121
> dawk2@...
>
>
>
> [Non-text portions of this message have been removed]
>

Interesting approach but I find it faster to show ref clips and sort by res then
dump the undesired media then decompose.  Relinking is prone to subtle issues in
this new file based work flows.  Relinking is both science and a bit of art. 
I've found that with adoption of editing offline with full rez file based
material the AEs inaccuracies don't show up till you try to relink.  Only then
do you find duplicate tape names etc...  These errors would have shown up in a
tape work flow during recapture but now they are masked until you relink and the
sequence grabs the first instance of tape and time code it can find, which may
or may not be the right shot.  This usually is a by product of the addition of a
tape name after the fact.

--- In Avid-L2@yahoogroups.com, Dave Hogan <mactvman@...> wrote:
>
> John,
>
> You know, with a few steps via the relink tool Media Composer has had the
capability for a while now to decompose based upon resolution of the files.
>
> 1st step, start with  a relink and select the method of "Specific Resolution"
it will look for everything equal or better than the video rez you specify. 
Also make sure "Unlink Lower Quality Media" is checked, and "Create New
Sequence" is checked (or relink a copy of the original sequence).
>
> A caveat here is that the re-link always unlinks all title media, and may
unlink imported effects.  This is not a deal breaker, because you get it back in
a later step.
>
> The relink throws all the lower rez media off line, and then you decompose the
new sequence, selecting "Offline Media Only" and "Captured Clips Only".
>
> After you have digitized all the decomposed clips, go back and do a final
relink, using "highest quality" and those pesky files that were not tape
sources, and were the correct rez or better, will come back online without
having to recreate title media or re-import.
>
> This capability has been around for a long time.  My Media Composer 2.8.4 has
it.  It is in 3.x, and I sure hope it is still in 4.x.
>
> Going via the relink step also picks up higher rez files that might already be
digitized (in a shared environment, or something done a while back), so that you
don't have to re-digitize footage already on the system.
>
> I have heard some editors complain about using relink, but the only time I
have trouble with it is when I exceed 1,500 files per folder on my drives (unity
included).  I have had several techs try to tell me that systems can handle a
far larger count than this, but I stand by that number to this day.  (Possibly
because I work mostly on Mac based AVIDs, and the OSX finder is a slow beast
with lots of files).  Hope this filecount can go up a bit once Snow Leopard gets
certified, but I will wait and see on that one.
>
> Dave Hogan
> Burbank CA
>
>
>
>
> ________________________________
> From: johnrobmoore <bigfish@...>
> To: Avid-L2@yahoogroups.com
> Sent: Thu, September 24, 2009 11:12:25 AM
> Subject: [Avid-L2] Re: MC 4 upgrades
>
>
> I like my version better but this is still nice.  Say I've got a mixture of
offline and online resolution material.  Wouldn't it be nice to be able to
decompose only the low res stuff leaving the full res alone?  Maybe down the
line something like this could be added?
>
> _,_._,___
>
>
>
>
> [Non-text portions of this message have been removed]
>

That's NOT a typo.  Ten Thousand IMX tapes.

We've left Standard Def behind, and these tapes are now
surplus.    I'm guessing no one on this list still uses this
format, but if you know of anyone who does, and has any interest
at all, please let them know about this.

Thanks.

Mark Raudonis

No. DV on this one.
On Nov 4, 2009, at 3:14 AM, Roger Shufflebottom wrote:

> Are you working with HDV? I believe there is a fix for this in MC
> 4.0.3.
>
> On 4 Nov 2009, at 07:15, Lou Wirth wrote:
>
> Running MC 4.02 on my Macbook Pro. Still getting lots of bus errors
> and segmentation errors but I can pretty much crash it myself by
> lassoing a group of clips and moving them on the timeline. Media is
> on a GRaid firewire 800 drive. Could this be an issue with the
> firewire since it happens almost every time I try and move a selection
> of clips on the timeline?
>
> Lou Wirth
>
> +++
> With best wishes,
>
> Roger Shufflebottom
> Avid Certified Instructor
> http://www.bottom-line.tv
> Tel: +44 1992 535 031 (UK)
> Mobile: +44 7973 543 660
>
>
>

Lou Wirth Productions
500Tamal Plaza, Suite 522
Corte Madera, CA 94925
www.louwirth.com
415-924-9411p







[Non-text portions of this message have been removed]

Got the same thing yesterday. It is Ben Grosser's page.

--- In Avid-L2@yahoogroups.com, Wes Plate <wes@...> wrote:
>
>
> When I got to the archives page Safari warns...
>
> "Warning: Visiting this site may harm your computer"
>
> ...then proceed to explain that the archives site appears to contain
> malware.  Does anyone know anything about this?
>
>
> > Search the offical complete Avid-L archives at:
> >
> > http://archives.bengrosser.com/avid/
>
>
> --
> Wes Plate
>  Automatic Duck, Inc.
>   http://www.automaticduck.com
>

I get a warning from Google when I go there, along with this info:


What is the current listing status for bengrosser.com?
     Site is listed as suspicious - visiting this web site may harm
your computer.

     Part of this site was listed for suspicious activity 1 time(s)
over the past 90 days.

What happened when Google visited this site?
     Of the 5 pages we tested on the site over the past 90 days, 2
page(s) resulted in malicious software being downloaded and installed
without user consent. The last time Google visited this site was on
2009-11-03, and the last time suspicious content was found on this
site was on 2009-11-02.

     Malicious software is hosted on 1 domain(s), including davtraff.com/.

     This site was hosted on 1 network(s) including AS26347 (DREAMHOST).

Has this site acted as an intermediary resulting in further
distribution of malware?
     Over the past 90 days, bengrosser.com did not appear to function
as an intermediary for the infection of any sites.

Has this site hosted malware?
     No, this site has not hosted malicious software over the past 90 days.

How did this happen?
     In some cases, third parties can add malicious code to legitimate
sites, which would cause us to show the warning message.






2009/11/4 John Heiser <jpheiser@...>
>
>
>
> Firefox throws the same warning. Hmmmm.
>
> ----
> John Heiser
> o2ideas
> birmingham, alabama, USA
>
> On Wed, Nov 4, 2009 at 9:40 AM, Wes Plate <wes@...> wrote:
>
> >
> >
> >
> > When I got to the archives page Safari warns...
> >
> > "Warning: Visiting this site may harm your computer"
> >
> > ...then proceed to explain that the archives site appears to contain
> > malware. Does anyone know anything about this?
> >
> > > Search the offical complete Avid-L archives at:
> > >
> > > http://archives.bengrosser.com/avid/
> >
> > --
> > Wes Plate
> > Automatic Duck, Inc.
> > http://www.automaticduck.com
> >
> >
> >
>

Firefox throws the same warning. Hmmmm.

----
John Heiser
o2ideas
birmingham, alabama, USA


On Wed, Nov 4, 2009 at 9:40 AM, Wes Plate <wes@...> wrote:

>
>
>
> When I got to the archives page Safari warns...
>
> "Warning: Visiting this site may harm your computer"
>
> ...then proceed to explain that the archives site appears to contain
> malware. Does anyone know anything about this?
>
> > Search the offical complete Avid-L archives at:
> >
> > http://archives.bengrosser.com/avid/
>
> --
> Wes Plate
> Automatic Duck, Inc.
> http://www.automaticduck.com
>
>
>


[Non-text portions of this message have been removed]

When I got to the archives page Safari warns...

"Warning: Visiting this site may harm your computer"

...then proceed to explain that the archives site appears to contain
malware.  Does anyone know anything about this?


> Search the offical complete Avid-L archives at:
>
> http://archives.bengrosser.com/avid/


--
Wes Plate
  Automatic Duck, Inc.
   http://www.automaticduck.com

Thanks Job . . . much appreciated (seriously)

Ahhh, yes . . . the manual  ;-)

Cheers!

B


Benjamin Hershleder
http://ContactBen.com
http://Hershleder.com

Wear It In Post!
Fun T-shirts, mousepads & more
for Post Production Professionals
http://www.WearItInPost.com

On Nov 3, 2009, at 11:59 PM, Job ter Burg (L2B) wrote:

> "Benjamin Hershleder" (04-11-2009 02:32) :
>
> > Can MC use any DigiDesign audio plugin?
>
> Manual says:
>
> > AudioSuite Plug-in Limitations
> > The following limitations apply to the AudioSuite plug-ins:
> > •
> > Some plug-ins that perform analysis passes on the audio data are not
> > supported. This includes plug-ins that use playlist information to
> cache
> > analysis data.
> > •
> > If you want to use plug-ins that change the length of an audio
> clip or that
> > operate on multiple inputs at the same time, use the method
> described in
> > Creating New Master Clips with AudioSuite Plug-Ins. Applying an
> effect to a
> > clip in the Timeline does not work for these operations.
>
> Also, as I read recently, non-core plugins are not supported, but
> may work
> (can't remeber where this was stated). Core plugins are the ones
> that ship
> with your Avid, as far as I understand. What happens is that if you
> use -
> for instance - Massey Plugins' brickwall limiter, you can install
> it, and it
> will show up on the list of plugins in the AudioSuite Tool, but
> there will
> be a "~" in front of its name. If you apply it, the Avid tells you
> that you
> may use this, but that succesful performance is not guaranteed. From
> that
> point on, it's hit and miss, apparently.
>
> By the way, the Massey L2007 is a very nice brickwall limiter
> AudioSuite
> plugin that I use succesfully on SN 4.0.2. Just 89 bucks.
>
> Hey Avid, how about giving us RTAS....?
>
> --
> Job ter Burg
> film editor - NL
>
>



[Non-text portions of this message have been removed]

John,

You know, with a few steps via the relink tool Media Composer has had the
capability for a while now to decompose based upon resolution of the files.

1st step, start with  a relink and select the method of "Specific Resolution" it
will look for everything equal or better than the video rez you specify.  Also
make sure "Unlink Lower Quality Media" is checked, and "Create New Sequence" is
checked (or relink a copy of the original sequence).

A caveat here is that the re-link always unlinks all title media, and may unlink
imported effects.  This is not a deal breaker, because you get it back in a
later step.

The relink throws all the lower rez media off line, and then you decompose the
new sequence, selecting "Offline Media Only" and "Captured Clips Only".

After you have digitized all the decomposed clips, go back and do a final
relink, using "highest quality" and those pesky files that were not tape
sources, and were the correct rez or better, will come back online without
having to recreate title media or re-import.

This capability has been around for a long time.  My Media Composer 2.8.4 has
it.  It is in 3.x, and I sure hope it is still in 4.x.

Going via the relink step also picks up higher rez files that might already be
digitized (in a shared environment, or something done a while back), so that you
don't have to re-digitize footage already on the system.

I have heard some editors complain about using relink, but the only time I have
trouble with it is when I exceed 1,500 files per folder on my drives (unity
included).  I have had several techs try to tell me that systems can handle a
far larger count than this, but I stand by that number to this day.  (Possibly
because I work mostly on Mac based AVIDs, and the OSX finder is a slow beast
with lots of files).  Hope this filecount can go up a bit once Snow Leopard gets
certified, but I will wait and see on that one.

Dave Hogan
Burbank CA




________________________________
From: johnrobmoore <bigfish@...>
To: Avid-L2@yahoogroups.com
Sent: Thu, September 24, 2009 11:12:25 AM
Subject: [Avid-L2] Re: MC 4 upgrades


I like my version better but this is still nice.  Say I've got a mixture of
offline and online resolution material.  Wouldn't it be nice to be able to
decompose only the low res stuff leaving the full res alone?  Maybe down the
line something like this could be added?

_,_._,___




[Non-text portions of this message have been removed]

Are you working with HDV? I believe there is a fix for this in MC 4.0.3.

On 4 Nov 2009, at 07:15, Lou Wirth wrote:

Running MC 4.02 on my Macbook Pro.  Still getting lots of bus errors
and segmentation errors but I can pretty much crash it myself by
lassoing a group of clips and moving them on the timeline.  Media is
on a GRaid firewire 800 drive.  Could this be an issue with the
firewire since it happens almost every time I try and move a selection
of clips on the timeline?


Lou Wirth

+++
With best wishes,

Roger Shufflebottom
Avid Certified Instructor
http://www.bottom-line.tv
Tel: +44 1992 535 031 (UK)
Mobile: +44 7973 543 660

If the MOJO is there on the bus at the same time (or perhaps some other
FW device) you will have issues with FW800.  Drop it to the 400 cable to
capture.

Good idea to detach the network cable, and try a new FW cable.  Better
yet, just flip the storage over to ESATA or USB.

For playback, with the GRAID alone, it should be cool.  Unless you are
mixing tough codecs and HDV.  Or the GRAID is failing.

I'm sure you tried fresh 4.x settings and trashing MC state/etc.

Assuming the drive's good, is there something else you think could be
crowding the shared FW bus?

RT


Lou Wirth wrote:

>
>
> Running MC 4.02 on my Macbook Pro. Still getting lots of bus errors
> and segmentation errors but I can pretty much crash it myself by
> lassoing a group of clips and moving them on the timeline. Media is
> on a GRaid firewire 800 drive. Could this be an issue with the
> firewire since it happens almost every time I try and move a selection
> of clips on the timeline?
>
> Lou Wirth Productions
> 500Tamal Plaza, Suite 522
> Corte Madera, CA 94925
> www.louwirth.com
> 415-924-9411p
>
>



[Non-text portions of this message have been removed]

"Benjamin Hershleder" (04-11-2009 02:32) :

> Can MC use any DigiDesign audio plugin?

Manual says:

> AudioSuite Plug-in Limitations
> The following limitations apply to the AudioSuite plug-ins:
> €
> Some plug-ins that perform analysis passes on the audio data are not
> supported. This includes plug-ins that use playlist information to cache
> analysis data.
> €
> If you want to use plug-ins that change the length of an audio clip or that
> operate on multiple inputs at the same time, use the method described in
> Creating New Master Clips with AudioSuite Plug-Ins. Applying an effect to a
> clip in the Timeline does not work for these operations.


Also, as I read recently, non-core plugins are not supported, but may work
(can't remeber where this was stated). Core plugins are the ones that ship
with your Avid, as far as I understand. What happens is that if you use -
for instance - Massey Plugins' brickwall limiter, you can install it, and it
will show up on the list of plugins in the AudioSuite Tool, but there will
be a "~" in front of its name. If you apply it, the Avid tells you that you
may use this, but that succesful performance is not guaranteed. From that
point on, it's hit and miss, apparently.

By the way, the Massey L2007 is a very nice brickwall limiter AudioSuite
plugin that I use succesfully on SN 4.0.2. Just 89 bucks.


Hey Avid, how about giving us RTAS....?

--
Job ter Burg
film editor - NL

Running MC 4.02 on my Macbook Pro.  Still getting lots of bus errors
and segmentation errors but I can pretty much crash it myself by
lassoing a group of clips and moving them on the timeline.  Media is
on a GRaid firewire 800 drive.  Could this be an issue with the
firewire since it happens almost every time I try and move a selection
of clips on the timeline?


Lou Wirth Productions
500Tamal Plaza, Suite 522
Corte Madera, CA 94925
www.louwirth.com
415-924-9411p

Only certain clients.

Ian Wilson
Colortape Productions
Ian@...
0418 327 082
Via iPhone

On 04/11/2009, at 3:35 PM, "Dom Q. Silverio" <domqsilverio@...>
wrote:

> And it decorates your windshield as a bonus.
>
>
> IAN WILSON wrote:
>> In September, a pigeon called Winston beat Telkom's [SA’s Telstra
>> equivalent]broadband service when he carried a 4GB memory stick from
>> Howick to Durban in two hours - in which time the ADSL line had sent
>> just 4 per cent of the data.
>>
>> Ian Wilson
>> Colortape Productions
>> Ian@...
>> 0418 327 082
>> Via iPhone
>>
>> [Non-text portions of this message have been removed]
>>
>>
>>
>> ------------------------------------
>>
>> Search the offical complete Avid-L archives at:  
http://archives.bengrosser.com/avid/
>>
>> Everything you MUST know about Color Correction in one book:  
http://tinyurl.com/ColorCorectionforvideo
>>    Get your copy todayYahoo! Groups Links
>>
>>
>>
>>
>>
>
>
> --
> Dom Q. Silverio
>
>
>
> ------------------------------------
>
> Search the offical complete Avid-L archives at:  
http://archives.bengrosser.com/avid/
>
> Everything you MUST know about Color Correction in one book:  
http://tinyurl.com/ColorCorectionforvideo
>    Get your copy todayYahoo! Groups Links
>
>
>

And it decorates your windshield as a bonus.


IAN WILSON wrote:
> In September, a pigeon called Winston beat Telkom's [SA’s Telstra
> equivalent]broadband service when he carried a 4GB memory stick from
> Howick to Durban in two hours - in which time the ADSL line had sent
> just 4 per cent of the data.
>
> Ian Wilson
> Colortape Productions
> Ian@...
> 0418 327 082
> Via iPhone
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
> Search the offical complete Avid-L archives at:  
http://archives.bengrosser.com/avid/
>
> Everything you MUST know about Color Correction in one book:  
http://tinyurl.com/ColorCorectionforvideo   Get your copy todayYahoo! Groups
Links
>
>
>
>
>


--
Dom Q. Silverio

Yes, but he has done a number of crash landings, but getting into the
air again is slow, depending on how bad the landing was. On the other
hand there is a sparrow that runs as a netbook.

Ian Wilson
Colortape Productions
Ian@...
0418 327 082
Via iPhone

On 04/11/2009, at 2:37 PM, Robert Lawson <avidrhl@...> wrote:

> Does the pigeon work with Windows 7 yet?
>
> On 11/3/09, IAN WILSON <ian@...> wrote:
>> In September, a pigeon called Winston beat Telkom's [SA’s Telstra
>> equivalent]broadband service when he carried a 4GB memory stick from
>> Howick to Durban in two hours - in which time the ADSL line had sent
>> just 4 per cent of the data.
>>
>> Ian Wilson
>> Colortape Productions
>> Ian@...
>> 0418 327 082
>> Via iPhone
>>
>> [Non-text portions of this message have been removed]
>>
>>
>>
>> ------------------------------------
>>
>> Search the offical complete Avid-L archives at:
>> http://archives.bengrosser.com/avid/
>>
>> Everything you MUST know about Color Correction in one book:
>> http://tinyurl.com/ColorCorectionforvideo   Get your copy
>> todayYahoo! Groups
>> Links
>>
>>
>>
>>
>
>
> --
> ---
> Rob Lawson
> System Administrator, ACSR ISIS, Windows & Unity
> CBS News
>
>
> ------------------------------------
>
> Search the offical complete Avid-L archives at:  
http://archives.bengrosser.com/avid/
>
> Everything you MUST know about Color Correction in one book:  
http://tinyurl.com/ColorCorectionforvideo
>    Get your copy todayYahoo! Groups Links
>
>
>

Does the pigeon work with Windows 7 yet?

On 11/3/09, IAN WILSON <ian@...> wrote:
> In September, a pigeon called Winston beat Telkom's [SA’s Telstra
> equivalent]broadband service when he carried a 4GB memory stick from
> Howick to Durban in two hours - in which time the ADSL line had sent
> just 4 per cent of the data.
>
> Ian Wilson
> Colortape Productions
> Ian@...
> 0418 327 082
> Via iPhone
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
> Search the offical complete Avid-L archives at:
> http://archives.bengrosser.com/avid/
>
> Everything you MUST know about Color Correction in one book:
> http://tinyurl.com/ColorCorectionforvideo   Get your copy todayYahoo! Groups
> Links
>
>
>
>


--
---
Rob Lawson
System Administrator, ACSR ISIS, Windows & Unity
CBS News

Now that's funny....


On 11/3/09 7:47 PM, IAN WILSON wrote:
>
> In September, a pigeon called Winston beat Telkom's [SA’s Telstra
> equivalent]broadband service when he carried a 4GB memory stick from
> Howick to Durban in two hours - in which time the ADSL line had sent
> just 4 per cent of the data.
>
> Ian Wilson
> Colortape Productions
> Ian@... <mailto:Ian%40colortape.tv>
> 0418 327 082
> Via iPhone
>
> [Non-text portions of this message have been removed]
>
>

--
Owner/Director
S.R. Film & Video
195 W Broad St
Salunga PA  17538


Cinematography, Still Photography, Copy Writing,
Post Production, Web Hosting & Design

Office: 717-393-5504  ex 142
Cell: 717-203-0976
Fax: 717-393-1833

www.SR-Pro.com <http://www.sr-pro.com/>




[Non-text portions of this message have been removed]

Selling four AVID Dnxcel cards for HD on Adrenaline, $1350 each, or all
four for $5200
Selling four MC Soft 4.0's with dongles, $1600 each, or all four for $6k

Stefan Beittel, President,Digital Media Kitchen: Your Global Brokerage Firm
7604 WREXHAM CT. RALEIGH, NC 27615
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On the web : http://www.digitalmediakitchen.com or press here DMK
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